I Dead Milkmen, che iniziarono la carriera a Philadelphia a metà degli anni 80 (con il singolo Milkmen Stomp), proposero un’innocua e scialba forma di punk-rock (sul modello dei Ramones), bollata da molti come assolutamente insignificante. That includes their epitaph, The Blues Song.ĭeath Rides A Pale Cow (Restless, 1998) is an excellent career The band split after Stoney's Extra Strout (Restless, 1995), Not Richard But Dick (Hollywood, 1993) offered the sermon While the result is their most mainstream album, theĬosmetic make-up helped The Conspiracy Song, Shaft In GreenlandĪnd Wonderfully Colored Plastic War Toys sound like leftovers from a Soul Rotation (Hollywood, 1992) left behind the punk-rock postures andįocused on the music. Listening to an entire album of that nonsense was too much even for their Smokin' Banana Peels, on Metaphysical Graffiti (Enigma, 1990). Punk Rock Girl, on Beelzebubba (Fever, 1988),
Instant Club Hit, on Bucky Fellini (Fever, 1987), They seemed content with offending people through Bitchin Camaro, onīig Lizard In My Back Yard (Fever, 1985),īeach Party Vietnam, on Eat Your Parsley (Fever, 1986), Offer enough ideas to support their (bad) jokes. The problem is that the Dead Milkmen did not Of controversial comedians that ranked the likes of Frank Zappa and the FugsĪmong its musical purveyors. Their satirical art was, actually, the last remnant of a decade-old tradition So were the skills of hardcore bands at large. Represented a light, silly, sub-Ramones-ic form of punk-rock that manyĭespised as utterly meaningless. ( Copyright © 1999 Piero Scaruffi | Legal restrictions - Termini d'uso )ĭead Milkmen, who started their career in Philadelphia in the mid 1980s Dead Milkmen: biography, discography, reviews, best albums, ratings
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